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It was founded in 1961 by the Danish artist Asger Jorn, Peter Glob and Werner Jacobsen from the National Museum of Denmark and Holger Arbman of the University of Lund, Sweden. Corpus ID: 56445581. Scandinavian Institute for Comparative Vandalism @inproceedings{Henriksen2004ScandinavianIF, title={Scandinavian Institute for Comparative Vandalism}, author={N. Henriksen and A. Jorn}, year={2004} } This publication is made using a modified version of the OCR program Tesseract.

Scandinavian institute for computational vandalism

Jorn intended to create an encyclopaedia in 32 volumes covering Nordic folk art, but tens of thousands of photos for the project ended up unused in a massive archive. The exhibition Comparative Vandalism is based on Today they are increasingly seen as dynamic and temporalizing forms. This talk looks into the remarkable analogue archival practices of the artists Asger Jorn and Guttorm Guttormsgaard through the lens of the experimental research group Scandinavian Institute for Computational Vandalism (of which the speaker is a founding member). Contemporary Comparative Vandalism Symposium, Silkeborg, Denmark, September 2014 Dataradio Presentation (WORM), Rotterdam, Holland, April 2014 Taking care of things (Participation), Lüneburg, Germany, January 2014 Wiels presentation, Fiction et droit, 28 october 2013; Phd Week Doch, 26 Sept 2013, Stockholm The accompanying website developed by the Scandinavian Institute for Computational Vandalism in 2019 contains Jacqueline de Jong's history of the magazine’s creation in a series of video clips. More about the project.

https://www.bookoutlet.se/bok/hamarsmans-attlingar

html. VICE CHAIR: Daniel Sperling, Professor of Civil Engineering and Environmental Science and Policy; Director, Institute of Transportation Studies,.

Scandinavian institute for computational vandalism

Kultur~Natur: Konferens för kulturstudier i Sverige

Corpus ID: 56445581. Scandinavian Institute for Comparative Vandalism @inproceedings{Henriksen2004ScandinavianIF, title={Scandinavian Institute for Comparative Vandalism}, author={N.

Today they are increasingly seen as dynamic and temporalizing forms. This talk looks into the remarkable analogue archival practices of the artists Asger Jorn and Guttorm Guttormsgaard through the lens of the experimental research group Scandinavian Institute for Computational Vandalism (of which the speaker is a founding member). Scandinavian Institute for Computational Vandalism (signature-wrap D) VANDALIST ICONOPHILIA Scandinavian Institute for Computational Vandalism (pp.39–46) MORE OR LESS (Compiled by) Mark Simmonds (pp.51–58) EXIGENCIES Flights and Fissures / David Whelan (signature-wrap F) NEURO-DEBTS David Whelan (pp.63–65) Nicolas Malevé is a visual artist, computer programmer and data activist who lives and works between Brussels and London.
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Från plats till site i nordamerikansk efterkrigspoesi och -konst In the late 1950s, the multifaceted artist Asger Jorn (1914–1973, Denmark) began working on an alternative art history: his ‘Scandinavian Institute of Comparative Vandalism’. Jorn intended to create an encyclopaedia in 32 volumes covering Nordic folk art, but tens of thousands of photos for the project ended up unused in a massive archive.

The Scandinavian Institute of Comparative Vandalism (Template:Lang-da) is a non-profit cultural institute based in Denmark.. It was founded in 1961 by the Danish artist Asger Jorn, Peter Glob and Werner Jacobsen from the National Museum of Denmark and Holger Arbman of the University of Lund, Sweden, after Jorn left the Situationist International during one of its many upheavals. Scandinavian Institute of Comparative Vandalism: | The |Scandinavian Institute of Comparative Vandalism| (non-profit cultural |institut World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Ellef Prestsæter is an art historian and a member of the art and research group Scandinavian Institute for Computational Vandalism.
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GIBCA • 2HoW-samtal

In the Active Archives project, with Michael Murtaugh, he is with Jacqueline de Jong and generously supported by Nordic Culture Point, developed by the Scandinavian Institute for Computational Vandalism invites Oram, Céline Condorelli, James Langdon, Scandinavian Institute for Computational Vandalism, Mark Simmonds, David Whelan, Ron Hunt and Rose Gridneff. Dec 2, 2019 and research group The Scandinavian Institute for Computational Vandalism ( SICV). Prestsæter's UKS workshop will touch upon the benefits Scandinavian Institute for Computational Vandalism. Nicolas Malevé, Michael Murtaugh & Ellef Prestsæter are founding members of the Scandinavian Institute Jan 7, 2021 The Scandinavian Institute for Computational Vandalism (SICV) is an art and research group engaging with archives, softwares and other Mar 4, 2017 James Langdon, Scandinavian Institute for Computational Vandalism, Mark Simmonds, David Whelan, Ron Hunt and Rose Gridneff.

SUM #97 – THE FALL ISSUE by SUM Student Union Malmö

He was well-educated in book history, restoration and binding, and the tools of his trade filled the room: color-stained cloths and Q-tips with jars of shoe polish, used to color-match and conceal library markings on book spines. The Scandinavian Institute of Comparative Vandalism (Danish: Skandinavisk institut for sammenlignende vandalisme) is a non-profit cultural institute based in Denmark.. It was founded in 1961 by the Danish artist Asger Jorn, Peter Glob and Werner Jacobsen from the National Museum of Denmark and Holger Arbman of the University of Lund, Sweden. Scandinavian Institute for Computational Vandalism Presentation by Michael Murtaugh and Nicolas Malevé We were shown computer graphic analysis from a computer’s point of view, where images can be analyzed into various elements, then those elements separated, collated, manipulated in various ways, at least some of which are interesting, and others perhaps you are puzzled by the computer’s analysis. Ellef Prestsæter is an art historian and a member of the art and research group Scandinavian Institute for Computational Vandalism. His recent curatorial projects include The Gutenberg Galaxy at Blaker and These are Situationist Times . Computational humanities; Book history; Science and technology studies; The manifesto genre; Cultural topology; PhD project.

av Y HEAL · Citerat av 14 — crease in computational power (Weisburd et al. 2012; Weisburd et al. crime in Malmö Sweden, and is the effect moderated by city center effects? sons included constitute crimes, typically vandalism, and all constitute some Some results have been published in the NSFK (Scandinavian Research Council for Crimi-. Scandinavian Zero Tolerance on Graffiti2013In: Kontrolle öffentlicher Räume: Unterstützen Unterdrücken Unterhalten Unterwandern / [ed] Eliza T. Bertuzzo, of Marine Mammal Exploitation in Vendeland Viking Age Scandinavia2018In: European Journal of Archaeology, ISSN 1461-9571, E-ISSN 1741-2722, Vol. Scala/M Scan Scandinavia/M Scandinavian/S Scaramouch/M Scarborough/M Scarface/M centenarian/SM centenary/S centennial/SY center/RDMZGJ centerboard/SM computation/MS computational/Y compute/BAUIZRSDG computer/M vandal/SM vandalism/SM vandalize/SDG vane/MS vanguard/MS vanilla/MS UKS is an institution for international contemporary art and a Norwegian, political membership organization situated in Oslo's city center. www.uks.no – Lyssna Institute.